Have some more links

Sorry, it’s still a bit content-free around here, what with the travel and the trying to get things done while I have some spare time. Have a few interesting links:

Jennifer Jackson of the Donald Maass Literary Agency asks whether authors and agents can prevent mismatches before they ever join forces. Note that this is more sophisticated than announcing ‘I want an agent who will sell my book for squillions, also the movie rights.’

Should politics have a place at the bookstore? Some say yes, some say no. But I really hope that during my time working in bookstores – which probably totals nearly half of my adult life, and all of that at independent bookshops – I avoided insulting any of the customers. I don’t have to agree with their political leanings, their choice of reading material, or their hairstyles, but it isn’t my place to critique them. That’s what blogs personal diaries are for. In any case, I did a political window one year and had a nice little three-party window display.

And finally, wow, if you want to know what the heck libraries do when they get archives handed over to them, you can read about how the British Library is dealing with Harold Pinter’s archive. My archive will probably end up in a recycling site, but it’s nice to know about people whose scribblings are deemed useful for literary scholarship.

Not in the cellar

As is probably obvious from the books I’ve been reading and reviewing on this site, the novel I’m working on involves Nazis.

Incidentally, remember when I complained that Bernd Freytag Von Loringhoven’s memoir couldn’t be about ‘the last witness’ because Rochus Misch was, as far as I knew, still alive? Well, not only is Misch still alive, but he’s finally published his own memoir. In German, so I won’t be reviewing it any time soon.

Anyway, one of the websites I found while procrastinating working has the trial documents of Irving v. Lipstadt, otherwise known as Holocaust denial on trial – though of course that was an unintentional side-effect, because it was Irving who brought the case for libel, rather than Lipstadt suing him for denial.

A few random thoughts:
- the trial which brought about Oscar Wilde’s prison sentence and downfall was also brought by him for libel. I think the lesson to be learned is that you shouldn’t sue people for libel if what they’re saying is fundamentally true…though it’s possible that not bringing a suit means you’re tacitly accepting that they’re saying the truth.
- Professor Lipstadt spent something like five years involved in this lawsuit, which no doubt played skittles with her research and publication schedule (at least one book was heavily delayed), but I wouldn’t be surprised if the trial and publicity did more, fundamentally, to bring the issue of Holocaust denial into the public arena than any book she could have written. More power to her.

After the verdict, the Observer (who themselves were gearing up to be sued by Irving along the same lines) wrote an interesting response in which, among other things, they note that Irving has a gift for historical document digging-out. This does not mean library work or even well-catalogued archives:

…Irving’s reputation has always been a double one: as a writer of history, but also a hunter of unknown, sensational documents. The first part – his reputation as an interpreter of those documents – lies in ruins. The second survives.

This is a shadowy underworld, hidden beneath the clean, bright places where scholars write books. Down in the cellar of Third Reich studies, con men and SS veterans, obsessive journalists and forgers and real historians stumble about in echoes of fantastic rumour. And here Irving is a dark prince.

Dunno about you, but that last phrase in particular is giving me Voldemort flashbacks.

Anyway, for the record, even if my German were so much improved that I could not read the memoirs of SS men but order them beer if I met them in person, I would be leaving the cellars to other people. I love archival work, and I can’t think of anything more fascinating than piecing together something that had been covered up, because you pinpointed which dusty document boxes to go to. I also love talking to people who witnessed historical events – and if I run into Herr Misch during my trip to Berlin, I’ll let you know.

But the thought of doing Irving’s research creeps me out. Maybe that’s a bit hypocritical, because we need the primary sources – not that they aren’t problematic in and of themselves. One of Goebbels’ diary entries, for instance, was debated in the trial – and unless J.G. had written ‘I told the chief all about concentration camps and he thought it was a jolly good idea’ interpretation and context was going to have to be the deciding factor.

But for one thing, the worry about forgeries certainly can’t be set aside. And even more importantly, the sort of people who are that obsessed with the Third Reich are probably not only going to be interested in historical documents, and I would rather steer clear. Even if that means missing out on a few primary sources.

Ouch! or, when your source material doesn’t exist

The Guardian has a story about a biography of Louis XIV’s mistress. One of author Veronica Buckley’s sources was the diary of Louis XIV. Except it wasn’t.

(I love the way the journalist pipes up with ‘Or if he did [keep a secret diary], no one has yet found it.’ Because you never actually KNOW that someone never kept a secret diary, right?)

Some professor at Queen Mary, U of London, haughtily sniffs that Back In His Day this never would have happened. (Handy of the Guardian to quote the person they note as the one reviewer who disliked her previous biography. Real chance for balance there.) I was about to make a snotty remark that began ‘well, Back In Your Day, which probably included cholera and hansom cabs,’ but I’m not certain what actually happened. I mean, if an academic writes a ’secret journal’ based on historical sources, then publishes it, and you pick up the book, isn’t it really obvious that this isn’t an actual diary? Wasn’t there any kind of introduction, or even a back cover blurb, noting this rather essential fact? If no other biographical work on Louis XIV cited this as a primary text, doesn’t that set off alarm bells?

And even if not…well, there’s absolutely nothing more fascinating than reading original documents. This can also be extremely annoying, as those of Times Past do not always have the best handwriting. Or indeed, the best equipment; it’s really funny reading 19th-century letters where the writer is complaining about the pen, or paper, or ink, or all three. We don’t tend to think about these things.

If I were writing a biography and I learned that there were “a packet of yellowed papers, wrapped in string and sealed with faded red wax” hidden “inside a heavy old chest in a Loire valley manor house” I’d be e-mailing the French National Archives toot sweet to find out where these were kept and whether I could read them. Maybe that’s just me. But surely that’s half the fun of biography!

Hard to tell from the internet version, but it looks as though the squibs about publishing fakes were a sidebar to that main story, and look, it’s my ex-editor Helen Pidd.

In happier news, the movie version of Miss Pettigrew Lives for a Day is a great hit.